- Home
- Suggestions / Feedback
- What reverb in Cove City?
What reverb in Cove City?
-
@thesuperhero Man how do you even remember this? It was forbidden to record and EVERYONE SURELY JUST SEEN THAT WHOLE THING ONCE LIVE RIGHT
-
@thesuperhero Man how do you even remember this? It was forbidden to record and EVERYONE SURELY JUST SEEN THAT WHOLE THING ONCE LIVE RIGHT
-
@danpurcell dude LFGGGG. Congratulations on making such a beautiful and professional sounding album. Im extremely impressed like WTH. Listen-n-love and Best Thing are on repeat. Did you have someone help mix or master? Or play instruments? Don't tell me all these strings are MIDI. Where are you at in your music journey now? New album in the works?
Making Music as TheMorningShadows
-
@danpurcell dude LFGGGG. Congratulations on making such a beautiful and professional sounding album. Im extremely impressed like WTH. Listen-n-love and Best Thing are on repeat. Did you have someone help mix or master? Or play instruments? Don't tell me all these strings are MIDI. Where are you at in your music journey now? New album in the works?
@thesuperhero woah many questions hahaha! Thank you so much!
Produced and mixed most of everything except for I think one record, Kismet, which was mixed by friend Jimmy Meier. Album was mastered by Emerson Mancini, who did the mastering for GSP, they have great rates for independent artists looking to get stuff mastered!
My friend who’s credited as Crawford was the guy who did most of the guitar sounds you hear, with the exception of Marathon which I both used a Splice sample and guitars done by a guy named Youngteam.
Strings for Waiting on You and Best Thing were done by an NYC guy named Shaan Ramaprasad, it’s just him believe it or not! Listen-n-Love was done via MIDI by a guy named Brian Metolius.
Outside of that, most of the production is me or Crawford on digital instrument plugins between the two of us. I think that covers it all haha!
But I appreciate the nerding out, love talking shop like this. The next project I’m going for a more live feel, songs being written / arranged with other people in the room rather than solo produced in my bedroom like this was. Also gonna go under a stage name and keep the social posting anonymous, playing around with obscuring my face and letting the music speak for itself. Still working on it but I’m excited for the next go-around!
-
This is why I love this forum I would have just laughed to myself if I saw this on twitter! Hahahahahah
@User12261990
this is amazingBoy Mystic raised from the Wilkins baby
-
@thesuperhero woah many questions hahaha! Thank you so much!
Produced and mixed most of everything except for I think one record, Kismet, which was mixed by friend Jimmy Meier. Album was mastered by Emerson Mancini, who did the mastering for GSP, they have great rates for independent artists looking to get stuff mastered!
My friend who’s credited as Crawford was the guy who did most of the guitar sounds you hear, with the exception of Marathon which I both used a Splice sample and guitars done by a guy named Youngteam.
Strings for Waiting on You and Best Thing were done by an NYC guy named Shaan Ramaprasad, it’s just him believe it or not! Listen-n-Love was done via MIDI by a guy named Brian Metolius.
Outside of that, most of the production is me or Crawford on digital instrument plugins between the two of us. I think that covers it all haha!
But I appreciate the nerding out, love talking shop like this. The next project I’m going for a more live feel, songs being written / arranged with other people in the room rather than solo produced in my bedroom like this was. Also gonna go under a stage name and keep the social posting anonymous, playing around with obscuring my face and letting the music speak for itself. Still working on it but I’m excited for the next go-around!
@danpurcell I don't speak music... but I'm shook.
Consider me a new fan
Screw your pops let’s get some IHOP
-
@thesuperhero oh sure! (Sorry I passed out last night lol)
Here’s an album I put out a couple years ago that you can find on Spotify and elsewhere.
I’d say tracks 2, 4 and 10 are doing the kind of style of vocal you’re looking for. In that instance the wetness knob was probably somewhere over 60-70%, and I futzed around with the frequency knobs to cut the low end I was getting from the verb out so that everything else could be heard but I also didn’t lose the high end.
@danpurcell kind of prody question but if you don’t mind me asking, what helped you make most of these connections? Like just lucked out in life? Met most in college? Maybe at random music settings like concerts or music stores? Or just all over throughout the journey of life as I’m probably guessing lol, just looking for some advice myself in making connections besides the internet
Boy Mystic raised from the Wilkins baby
-
@danpurcell kind of prody question but if you don’t mind me asking, what helped you make most of these connections? Like just lucked out in life? Met most in college? Maybe at random music settings like concerts or music stores? Or just all over throughout the journey of life as I’m probably guessing lol, just looking for some advice myself in making connections besides the internet
@Zeonder part of it is life / circumstance but I think the bigger part of it is just being a fan of people and appreciating what they’re bringing to the world creatively. One example: I was (still am I guess, it’s not as active as it was) a moderator on the Brasstracks discord and learned a ton from just listening and appreciating people’s work, and made connections by giving them the time and space to share what they’re working on and offer meaningful feedback toward it, all the while ALSO learning myself from sharing and feedback.
If you extend that sense of fandom y’all have for Jon or any other artist towards people either in this forum or other forums, eventually you’ll find your true community to rely on. That to me is more important any “fanbase” at the end of the day.
-
@Zeonder part of it is life / circumstance but I think the bigger part of it is just being a fan of people and appreciating what they’re bringing to the world creatively. One example: I was (still am I guess, it’s not as active as it was) a moderator on the Brasstracks discord and learned a ton from just listening and appreciating people’s work, and made connections by giving them the time and space to share what they’re working on and offer meaningful feedback toward it, all the while ALSO learning myself from sharing and feedback.
If you extend that sense of fandom y’all have for Jon or any other artist towards people either in this forum or other forums, eventually you’ll find your true community to rely on. That to me is more important any “fanbase” at the end of the day.
@danpurcel wow this seriously does mean a lot as I’veVERY RECENTLY started doing that lol, but it’s so true how much I’m learning throughout it and maybe not making “connections” as much as friends but it’s so does, very affirming reading your words tysm for sharing
️Boy Mystic raised from the Wilkins baby
-
@thesuperhero Man how do you even remember this? It was forbidden to record and EVERYONE SURELY JUST SEEN THAT WHOLE THING ONCE LIVE RIGHT
@GSP-Graduate there are recordings out there.... pretty sure Jon had the entire thing posted on his IG at one point
I FEEL IT
